
I'm not the most in-the-know metalhead by a long shot, but even I have a well-worn copy of Covenant
Much of Decibel's article consists of the bandmembers claiming they're not worried about the album's reception. That's red flag #2. And what's the real story re: Pete Sandoval? Even laid up, could he not contribute to an album piecemeal in the studio - or could it not wait a little longer (what's another year at this point)? Feedback regarding Tim Yeung has been nothing but negative and it seems outright wrong that a man not only essential to the band but the entire genre is excluded from the record while still remaining "in the band." Perhaps Pete simply didn't want his name on the record.
- "When I hear this disc, I cringe for Morbid Angel like I cringe for Rebecca Black when I hear "Friday." Only it's worse this time because she's just some kid making a fool of herself, and this is a veteran band with lots of talent."
- "We then get to "Too Extreme!"
The title alone makes me want to cry.
We're treated to a song that sounds like a rip off of "Whoomp there it is".
"Whoomp too extreme"
"Whoomp too extreme"
Pathetic." - "The only reason I gave it a star at all is because it said I had to give it something."
- "It's like they tried to warn you with the Sub-Behemoth album art and butchered Latin. It's not the worst album in the world, but it is pretty much the perfect storm of confused alpha male posturing and "still with it" wash-uppery."
- "This album makes St. Anger sound like a masterpiece."
- "This isn't Morbid Angel. This is the result of what happens when death metal veterans feel the need to betray their fan base by using the trademark name to pass off their insipid wankery."
No comments:
Post a Comment